I arrived in Bhutan on May 18th after a full day of travel. Over the course of my trip, I was struck by the deep emphasis on traditional crafts and how it is nurtured through education. The state’s support for the arts ensures that these crafts not only remain recognized but are also sustained through modernization. In Bhutan, the 13 arts and crafts are collectively known as Zorig Chusum, which includes: Carpentry, Masonry, Bronze Casting, Blacksmithing, Ornament Making, Cane and Bamboo Weaving, Weaving, Tailoring, Embroidery and Appliqué, Woodturning, Paper-Making, Sculpting, Painting, and Carving. Throughout my journey, I had the privilege of meeting local artisans and participating in traditional experiences. I attended services at monasteries, watched performances, and wore traditional attire when I had the honor of meeting Jigme Khesar Namgyel Wangchuck, the 5th Dragon King of Bhutan, as part of the World Bank Delegation. This trip has left a profound impact on me. In a time when global politics often feels disconnected from public welfare, it was inspiring to see national leaders guided by a …

My final workshop in Washington was held for our lovely friends and neighbours, who came together for a three-day session to learn the basic principles of mosaic art. Each participant committed themselves to their own incredible project while also exploring the history of mosaics. This event marks the closing chapter of the V Street Studio and my time in Washington, D.C. I’m deeply grateful for the experiences I’ve had here—the people I’ve met, the projects I’ve been part of, and the community that has supported me. The course included a wonderful group of preteen girls who were respectful and attentive to their fellow classmates. It was heartening to see intergenerational support, with participants over 60 contributing their wisdom and enthusiasm. I look forward to continuing to foster the connections I have made these past few years. Thank you to the creative community that has welcomed me so warmly.