In July 2024, my first workshop for over-80s took place in my parents’ retirement home.
7 residents of Lepsiusstr 4 in Naumburg/Saale embarked on the adventure.
One of the residents brought her granddaughter along.
The communal room of the Nofretete shared apartment was the perfect place to sit around a table and get to know each other while working. There was great enthusiasm for the glittering, colorful mosaic tiles when everyone appeared in the room.
It quickly became clear that not all hands could handle the mosaic tongs.
The broken mosaic stones collected from previous workshops came in very handy, so that even participants with disabilities could work independently. Overall, the atmosphere was concentrated and cheerful at the same time.
Everyone was proud to be able to take their own mosaic back to their rooms after the two days. I was amazed to discover the creative talents of my parents.
What a great discovery after more than 50 years!
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Mosaic from around the world
Have you seen a mosaic this summer?
Many of my friends send me photos of mosaics they see while traveling.
I am happy to have sparked this attention to mosaic art in some people.
If you send me your photos, they will also be included in the “Mosaics from around the world” gallery.
My teachers for natural stone mosaics
8 years ago I designed, produced and laid a 4m2 floor mosaic in our vacation home in Ayvalik on the North Aegean coast.
This work and my involvement with it brought me into contact with Turkish artists who taught me a lot and, from whom I learned how to work with natural stone and roman cement.
My first teacher was Mustafa Salih Kamanlioglu. He runs a mosaic studio in Ankara. He taught me how to break natural stone into small pieces for mosaic (tesserae).
My second master was Nusret Özdemir. He lives in Gaziantep, in the south east of Turkey and taught me how to assess field stones for mosaic suitability. I also learned from him how to break a tessera into a small tooth so that they can be placed closer together.
A third teacher was Hande Kökten, who was the director of Ankara University’s School of Restoration Technicians at the time. Despite my limited Turkish, she admitted me to her lessons on the conversation of ancient mosaics. There I mainly learned how to produce and use Roman cement (made from sand, slaked lime and brick dust).
During my visit to artist Mieke Ceusters in Geel near Antwerp, she drew my attention once again to the specific mosaic laying techniques of the Spilimbergo Mosaic School. This made me want to continue my education at this school.
You never stop learning!